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Showing posts with the label Chloe Lorentzen

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Chloe Lorentzen: The Arts Centre, Stamford [Live]

on October 24, 2023

Chloe Lorentzen indie live music singer-songwriter Stamford

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The Music Observer 10: Looking back at 2022 [Singles]

on December 28, 2022

2022 best of Blue Violet Chloe Lorentzen Death Of The High Street Dictator Greysha Lizzie Esau Metric Minerva Daisy Nice Guy retrospective Serotones Ten Hands High

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Chloe Lorentzen + Mali Faraz: The Old Town Hall, Bourne [Live]

on February 22, 2022

acoustic Chloe Lorentzen indie IWD Lincolnshire live music Mali Faraz singer-songwriter

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The Music Observer 10: Looking back at 2021 [Singles]

on December 23, 2021

2021 best of BLAB Chloe Lorentzen Conscious Route Dictator Five O Fives Gefahrgeist Greysha MEMES retrospective The Florentinas The Howl and the Hum Wet Leg

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Little Comets + Mabes + Chloe Lorentzen + The Tenters: The Met Lounge, Peterborough [Live]

on September 21, 2021

Chloe Lorentzen Little Comets live music Mabes Met Lounge Peterborough The Tenters

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Chloe Lorentzen: Somebody's Someone

on August 09, 2021

Chloe Lorentzen IWD singer-songwriter Stamford

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Joe, Chloe and Mark: The Met Lounge, Peterborough [Live]

on June 15, 2021

acoustic Chloe Lorentzen Joseph Porter-Bolger live music Mark Stevens Met Lounge Peterborough singer-songwriter

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Chloe Lorentzen: Sorry

on February 24, 2021

Chloe Lorentzen IWD Lincolnshire singer-songwriter Stamford

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New release horizon scanner:

21/11 - Fake Dad: ON/OFF
21/11 - Ellur: Yellow light
22/11 - Krooked Tongue: Ember mile
29/11 - Moletrap: Rhagofn
6/12 - Lee J Toby: Roll with the waves
6/12 - Lauren Mayberry: Vicious creature (Album)
29/1/25 - Dictator: Middle of the road (EP)

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The Felice Brothers + Anthony D'Amato: Electric Ballroom, London [Live]

There’s a special kind of atmosphere in Camden tonight. Yes, in many ways it’s the same old vibrant, restless, gritty and cool-meets-tourist-tacky Camden, but inside the Electric Ballroom we feel a distinctly North American air, too. Accompanying The Felice Brothers on tour is Anthony D’Amato , a New Jersey singer-songwriter with an infectious smile and a keen, yearning voice. He’s performing solo, armed only with a guitar and a great sense of humour, dry and self-deprecating yet always positive at the core. His music is straightforward in some ways, but the storytelling is clever and often involves interesting characterisation or intriguing metaphors. “It’s a bit of a strange week to be an American,” he tells us with a resigned grin, setting expectations immediately before launching into the overt ‘C'mon Armageddon’. It's heavy in terms of subject matter, but performed with such cheer and engagement that the mood is lifted immediately. 'Passing Through' is amusing but

Bottlemoth: Even Us Ghosts [Album]

Updated 8th November to include video Given the whole point of this blog is to write words about music, sometimes finding the right language proves really hard. There sometimes just don't seem to be enough adjectives in English. Bottlemoth have produced a debut album which has posed me a few problems in that regard. They're a fresh five-piece band with plenty of experience having been formed in January 2024 by the former members of Bridges 'Even Us Ghosts' was released on 18th October to stream, of course, and also on gorgeous-looking limited edition vinyl (links below). It's a 10-track record which encompasses all Bottlemoth stand for, musically: elements of timeless yet modern indie-folk, crisp pop/alt-rock drum production, warm Americana inflections, sublime vocals... That's quite a few adjectives already. 'Landslides (People Change)' opens the proceedings: a brief burst of ambient sound, and then straight in with soft but firmly-hitting guitars and

Amber Saqladi: Becoming a modern-day Siren [Interview]

Amber Saqladi began her journey as a song-writer scribbling poetry at age seven, before graduating to writing songs with a felt-tipped pen on sheets of A3 paper. But it took some time for this pastime to evolve into a way of life. "It's always been something I've done but it was never anything I really took seriously growing up. I was a very academic kid, so that's what I expected to do," Amber explains. By 15, though, she had started writing music more seriously, and gigging. "Since then, it's become undeniable that that's the thing I enjoy the most - being able to be creative, and be academic at the same time," she says. Amber quickly established herself as a familiar name on the music scene in her home town of Leicester, where she also recorded her first three singles at HQ Studios . "The music scene in Leicester is absolutely lovely - it's very community based. I can always count on the other musicians there to support me, and I

Girl Scout: Headache [EP]

Since the Covid lockdown finally ended, Sweden's Girl Scout have been bashing out alt-rock songs which are raw but refined; in-your-ears and satisfying, but with well-crafted complications. On the one hand, they've got power chords perfectly sussed out; but they don't stop there, adding in almost mathematical riffs and beats. That's what elevates Girl Scout's music well beyond the usual guitar-based post-grunge, without losing the core of their garage-nurtured sound. There's great musicianship, but they've still got soul, plenty of soul. The 'Headache' EP – the band's second – is a five-track collection of those kinds of songs, peaking with 'I Just Needed You To Know' at position four on the record. This has to be my favourite Girl Scout track. It's a non-stop blast, the band going at it with full energy, manipulating guitar strings with jaw-dropping panache. Despite that intense energy which presses steadily forward like a sharp, ur

Dolores Forever: Rough Trade East, London [Live]

At the end of September, Dolores Forever released one of the very best albums of the year so far, their debut 'It's Nothing'. I'll shamelessly quote myself here: "The record is richly modern and at the same time soaked in a 1980s vibe. It’s Ataris and Roland synths, plugged into a modern, forward-looking digital interface. Transistor punk, perhaps? Lyrically, the songs in this collection are very clear, with plenty of brilliant one-liners and metaphors forming a close-to tangible imagery" (read more over on CLASH ). I've been genuinely excited about this band and the album really cemented my belief in them. But I'd not heard them live (although I'd seen and heard plenty of good reports) until last week when I caught their album launch / in-store at Rough Trade East. I expected a stripped back show, but this was a full band performance, albeit a short one. They played all but two of the new album's songs (I really missed 'Grace', one o

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