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Enjoying established acts | Championing new and independent artists | Event promotions | Press kits, demos, EPKs, press passes, tickets etc. welcome: therealmusicobserver (at) gmail (dot) com

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Showing posts with the label London

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Dolores Forever: Rough Trade East, London [Live]

on October 08, 2024

alt-pop alt-rock alternative Dolores Forever live music London

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Hohnen Ford: Forward, with emotion [Interview]

on September 04, 2024

folk Hohnen Ford interview jazz London pop singer-songwriter

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Rosie Gault: Petals, and a sense of purpose [Interview]

on August 24, 2024

acoustic alt-pop interview London Rosie Gault singer-songwriter

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Hannah Grae + Yuneki, The Grace, London [Live]

on May 27, 2024

alt-pop alt-rock alternative Hannah Grae indie live music London

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Francis of Delirium + Gia Ford + Dog Race: Oslo Hackney, London [Live]

on May 16, 2024

alt-rock alternative Dog Race Francis of Delirium Gia Ford grunge live music London

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Carpark + Devon + Sister: Moth Club, London [Live]

on April 29, 2024

alt-rock alternative Carpark grunge live music London

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Plasticine + Comforts + Candar: Signature Brew, London [Live]

on April 21, 2024

alt-rock alternative Candar Comforts grunge indie live music London Plasticine Scotland

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Freya Beer + Tizane: The Camden Assembly, London [Live]

on March 19, 2024

alt-rock Freya Beer gothic live music London noir Tizane

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Baby Queen + Lynks: Lafayette, London [Live]

on February 25, 2024

alt-pop Baby Queen live music London Lynks

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New release horizon scanner:

11/1/25 - Rosie Gault: Dim lights
29/1/25 - Dictator: Middle of the road (EP)
7/2/25 - Arliston: Disappointment machine (Album)
28/2/25 - Hachiku: The joys of being pure at heart (Album(

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Music Observer Friday highlights - 03.06.22

I haven't done one of these posts for a while and this is a bit of a hybrid, mopping up some music I've heard in the past couple of weeks but haven't had chance to write about yet. Hope you enjoy. Remember, a ll of the songs I write about (as well as lots of others) feature on my May 2022 and June 2022 playlists. Frances Gein - All I've Loved A song released today (3rd June) but which I've been listening to for a few weeks (thank you for the early preview Frances!). This is a slow paced, minor key folk tune, with a simple, calming and strangely comforting beauty. The song is centred around a picked-out guitar riff, which - couple with Frances' muted and mysterious vocals - gives it a satisfying grungy feel. But there's also some great use of strings, which start as a barely-there backing and build into something a little unsettling (matching closely to the lyrical progression). The ending is brilliantly done thanks to a surprise, low piano note which pu...

Amber Saqladi: Becoming a modern-day Siren [Interview]

Amber Saqladi began her journey as a song-writer scribbling poetry at age seven, before graduating to writing songs with a felt-tipped pen on sheets of A3 paper. But it took some time for this pastime to evolve into a way of life. "It's always been something I've done but it was never anything I really took seriously growing up. I was a very academic kid, so that's what I expected to do," Amber explains. By 15, though, she had started writing music more seriously, and gigging. "Since then, it's become undeniable that that's the thing I enjoy the most - being able to be creative, and be academic at the same time," she says. Amber quickly established herself as a familiar name on the music scene in her home town of Leicester, where she also recorded her first three singles at HQ Studios . "The music scene in Leicester is absolutely lovely - it's very community based. I can always count on the other musicians there to support me, and I...

Grace Calver: My Life and Its Disasters [EP]

It’s just over a year since Grace Calver released arguably one of the best ever songs related to the undead - her debut single, ‘Zombie Conversations’ - pivoting from popular music blogger to accomplished artist in a way which felt natural and preordained. And now, here’s her debut EP, building on the success and catchiness of that first release. The brilliantly named 'My Life and Its Disasters' is five tracks of Grace Calver's well polished, finely honed brand of dream-pop-meets-grunge, sugar-coated angst rock. It’s an infectious, deceptively innocent style of writing - like a rainbow with a pot of boiling oil at the end. And let's also not forget that Grace plays all the tuned instruments, too, leaving only the drums to be outsourced (in this case to Oscar Liddiard). Two of the tracks on this EP are brand new, and perhaps best represent where Grace is now as an artist. She’s come a long way in a very short time, playing countless live shows, including several festiva...

Casii Stephan: Without A Box

'Without A Box' is one of those songs that made me stop and just listen, put everything down, and just pause. Four minutes and 38 seconds of my time is all it took at first, but that turned into many repeat listens, and I'm sure the impact will last much longer. First up, that suspenseful ambient guitar noise, buried deep and starting off barely perceptible. As you become aware of that sound and wonder if the tune is going to unsettle more than comfort, softened and soothing piano chords arrive and take over. That piano gives the first anchor to the song. And then, Casii Stephan 's voice joins in. What a voice that is. It bridges so many gaps, spanning grounds of folk, soul and pop. It remains restrained for a good three minutes, acting as an emotive, soulful and captivating anchor as well as a leading element to the song. Later, Casii really opens up, allowing an internal energy to be set free through her vocal chords. But you sense rather than hear the potential for ...

Chris Greig & The Merchants: Silent Disco

"One of Glasgow's most energetic indie-rock bands" is how Chris Greig & The Merchants have been described, and it's hard to argue with that when listening to their newest release, Silent Disco. The track absolutely exudes energy: from the sparkling, attention-grabbing opening solo guitar riff right through to the cheeky slapped-bass in the outro. This energy is well supported by the strong, chunky drums throughout - I've always enjoyed that feel of the rhythm pushing things forward purposefully and firmly, and this is a big feature here. And then, the drum sound really opens up with loads of cymbals leading into the chorus. Silent Disco is pretty short - just over two-and-a-half minutes - but this may be a calculated decision to end on a high, and keep the listener wanting more. It definitely works here. This is a track that you'll be tempted to put on repeat just so you can keep singing along to the ridiculously catchy chorus. You could be fooled into t...

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