Music heard, and observed

Enjoying established acts | Championing new and independent artists | Event promotions | Press kits, demos, EPKs, press passes, tickets etc. welcome: therealmusicobserver (at) gmail (dot) com

Search This Blog

Interviews
Live reviews
Exclusives
Best of ...
Contact / Submissions
Playlists
Gigs

Showing posts from October, 2024

View all

Posts

Dolores Forever: Rough Trade East, London [Live]

on October 08, 2024

+

Get link
Facebook
Twitter
Pinterest
Email
Other Apps

New release horizon scanner:

17/10 - Bottlemoth: Even us ghosts (Debut Album)
18/10 - Berries: Berries (Album)
18/10 - Amy Papiransky: Friday’s daughter (Album)
25/10 - She’s In Parties: Puppet show (EP)
25/10 - Tommy Lefroy: born blue (EP)
25/10 - Laura Marling: Patterns in repeat (Album)
25/10 - Soccer Mommy: Evergreen (Album)
1/11 - blondestandard: Not the only one
8/11 - piglet: for frank forever (EP)
8/11 - Girl Scout: Headache (EP)

Labels

2021
2022
2023
2024
222
A Cause In Distress
about me
acoustic
Africa
Album

Alela Diane
Alex Jayne
Alice Robbins
alt-country
alt-folk
alt-pop
alt-punk
alt-rock
alternative
Amber Saqladi
ambient
Amelia Coburn
American
Americana
amistat
Amy Papiransky
Andrea von Kampen
angst
Arcade State
Australia
Automotion
Avalyn
Baby Queen
BACKSPACE
Barn on the Farm
Be Charlotte
Beau
Ben Mark Smith
Ber
Beren Olivia
best of
Beth Orton
Big Thief
Birmingham
BLAB
Black Foxxes
Bleach Lab
Bleachers
Blue Violet
blues
Bob Vylan
Bolton
Bored Marsh
BOTF
Brighton
Caity Baser
Cambridge Folk Festival
Canada
Candar
Cappo
Carenza Carole
Carpark
Casii Stephan
Cassels
Cassia
Catty
Cerys Matthews
Chappell Roan
Charity Stow
Charles
Charlotte Carpenter
Chloe Foy
Chloe Lorentzen
Chris Greig
Chvrches
cinematic
Cloves
Coach Party
Comforts
Comic Sans
Conscious Route
country
Coventry
cover
Crawlers
Cruel Sister
Das Kapitans
Death Of The High Street
Deep South
Devon
Dictator
Diving Station
DIY
Dog Race
Dogs! Teeth!
Dolores Forever
dreampop
Drew Thomas
Dry Cleaning
Dublin
duo
Durand Jones
Dutch Mustard
Dylan
Edie Bens
Editors
Eevah
electronic
electropop
Eleri
Eleri Angharad
Ella Clayton
Emily Carr
Emma Mae
emo
EP
Essex
exclusive
experimental
Farm Band
festival
First Aid Kit
Five O Fives
Fizz
Flowerovlove
folk
Folk by the Oak
Foo Fighters
Frances Gein
Francis of Delirium
Fraulein
Freya Beer
Freyja Elsy
Friday highlights
fusion
garage rock
Gefahrgeist
Gen and the Degenerates
George O'Hanlon
Georgi Clarke
Georgina Gale
Gia Ford
Gina Leonard
Girl Scout
Glasgow
Glastonbury
gloomcore
gothic
Grace Calver
Gracie Abrams
Graywave
Greysha
Grrrl Groannn
grunge
Guns n Roses
Hachiku
Halsey
Hana Lili
Hannah Grae
Hannah Mazey
Headless Heroes
Headshrinkers
Hidden Orchestra
Hilang Child
Hohnen Ford
Holly Humberstone
Holy Coves
Hurray for the Riff Raff
Hyyts
IDLES
Imogen and the knife
indie
Indie Midlands
instrumental
interview
Ireland
Isle of Wight
IWD
Jack Rasmussen
Jacob Collier
Jamaica
jazz
Jemima Coulter
Jemma Johnson
Jen Dixon
Jenny Colquitt
JJ Lovegrove
Joan Shelley
Jodie Nicholson
Jools
Joseph Porter-Bolger
Josienne Clarke
Judy Blank
Juliet Ivy
Katherine Priddy
Kathleen Edwards
King Creosote
Kingfishr
Kitty Macfarlane
Kitty Perrin
Lanterns on the Lake
Lastlings
Lauren Ann
Leeds
Leicester
Lemondaze
Leo
Lewis Capaldi
Lincolnshire
Linn Koch-Emery
Lissy Taylor
Little Comets
live music
Liverpool
Lizzie Esau
London
Lossline
Loupe
Lucy Gaffney
Lucy Spraggan
Luxembourg
Lynks
Ma.Moyo
Mabes
Macedonia
Mae Krell
Mali Faraz
Mama Liz's
Manchester
Mark Stevens
MarthaGunn
Matilda Mann
Matt Maltese
Maya Lakhani
Medium Build
Megan Wyn
MEMES
Met Lounge
Metric
Millie Blooms
Mind Aid
Minerva Daisy
Minnesota
Mistine
Moonlight Parade
music
Mutual Blue
Nadia Sheikh
Netherlands
New York
Newcastle
NewDad
Nia Wyn
Nice Guy
Nick Cave
Nitin Sawhney
Noga Erez
noir
Norah Jones
Northern Ireland
Norwich
Nottingham
Nova Twins
Odd Beholder
Oliver Beardmore
Olivia Dean
Olivia Rodrigo
Omeara
online
Oxford
Ozric Tentacles
Peggy Sue
Peterborough
philine
photos
Pillow Queens
Plasticine
Platinum Mind
Pluto Shervington
poetry
pop
pop punk
post-punk
preview
psychedelic
punk
Queen Cult
Quiet Houses
Quiet The Art
Rai Kah Mercury
rap
RAYE
Record Store Day
reggae
Region
Rescue Rooms
retrospective
rock
ROE
roots
Roots Manuva
ROSIE
Rosie Gault
Ross Stewart
Rough Trade
RSD
Saint Sappho
Sam Fender
Sam Lambeth
Sam Shields
Sara Jackson-Holman
Sarah Johnsone
Sarpa Salpa
Scotland
secret gig
Serotones
She's in parties
shoegaze
Sick Love
Sigrid
Silvi
singer-songwriter
Soda Blonde
Soot Sprite
Sophia Alexa
Sophie Janna
soul
space rock
spoken word
SPRINTS
Spyres
Stamford
Supersaurus
Swedish
Swim School
synth
Taylor Swift
Teeside
Ten Hands High
Tez
The Big Moon
The Boxer Rebellion
The Candle Thieves
The Covasettes
The Crayon Set
The Empty Page
The Felice Brothers
The Florentinas
The Great Leslie
The Hackles
The Howl and the Hum
The Innocence Mission
The Lumineers
The Merchants
The Mercians
The Murder Capital
The Musician
The Mysterines
The National
The Royston Club
The Shed Project
The Slow Readers Club
The Staves
The Tenters
The Wind and the Wave
Thom Yorke
Thrillhouse
Thyla
Tim Buckley
Tiny Desk
Tizane
Todd Snider
Tom Jones
TOMI
Tove Lo
Transviolet
Twist Heilx
Twisterella
Tyler Gelrud
Union Chapel
video
Virgins
Vona Vella
Wales
Warren Ellis
Wet Leg
Wilco
William Doyle
William The Conqueror
Wolf Alice
Wrest
Wyldest
YNES
YONAKA
Youth Lagoon
YOVA
Yumi and the Weather

Show more Show less

Amy Papiransky: Living and giving [Interview]

Writing this blog has given me so many new music experiences, and I’ve been introduced to more artists than I can count, sometimes through word of mouth in the new music community, sometimes through a serendipitous working of The Algorithm, and occasionally through direct approaches from artists or their reps. I have to confess I hadn’t heard the name Amy Papiransky before I received a PR email with a preview of her new album ‘Friday’s Daughter’ (look out for my review of the record for CLASH in October). Amy is a well-connected artist, and for the new album she’s assembled some amazing collaborators and has described recording it as “the best musical experience I’ve ever had.” I was intrigued to find about a bit more about her, and she generously gave up some of her time to answer a few of my questions. Hi Amy! In one sentence, how would you describe your music and who you are? I am a singer-songwriter originally from the North-East of Scotland now based in Glasgow and my music is in

Dolores Forever: Rough Trade East, London [Live]

At the end of September, Dolores Forever released one of the very best albums of the year so far, their debut 'It's Nothing'. I'll shamelessly quote myself here: "The record is richly modern and at the same time soaked in a 1980s vibe. It’s Ataris and Roland synths, plugged into a modern, forward-looking digital interface. Transistor punk, perhaps? Lyrically, the songs in this collection are very clear, with plenty of brilliant one-liners and metaphors forming a close-to tangible imagery" (read more over on CLASH ). I've been genuinely excited about this band and the album really cemented my belief in them. But I'd not heard them live (although I'd seen and heard plenty of good reports) until last week when I caught their album launch / in-store at Rough Trade East. I expected a stripped back show, but this was a full band performance, albeit a short one. They played all but two of the new album's songs (I really missed 'Grace', one o

Amber Saqladi: Becoming a modern-day Siren [Interview]

Amber Saqladi began her journey as a song-writer scribbling poetry at age seven, before graduating to writing songs with a felt-tipped pen on sheets of A3 paper. But it took some time for this pastime to evolve into a way of life. "It's always been something I've done but it was never anything I really took seriously growing up. I was a very academic kid, so that's what I expected to do," Amber explains. By 15, though, she had started writing music more seriously, and gigging. "Since then, it's become undeniable that that's the thing I enjoy the most - being able to be creative, and be academic at the same time," she says. Amber quickly established herself as a familiar name on the music scene in her home town of Leicester, where she also recorded her first three singles at HQ Studios . "The music scene in Leicester is absolutely lovely - it's very community based. I can always count on the other musicians there to support me, and I

Cappo: S.T.A.R.V.E. [Album]

Nottingham produces incredible music with a very distinct local character. There's a certain atmosphere and sensibility which pervades the work of its musicians, people like Catmilk, Lace Thief or Drew Thomas. One key member of the local scene for around 20 years has been Cappo , a hip-hop artist often labelled 'legendary'. Rightly so. His brand of rap is cerebral, deep, hard-hitting and exploratory. And his latest work is a perfectly packaged example of what Cappo is all about. Across the nine tracks of the "semi-autobiographical" album ‘S.T.A.R.V.E’., Cappo delivers a richly-layered commentary on society's ills from an intensely personal perspective, drawing on literary tradition as well as hip-hop history and trip hop inspirations. The release of this album comes only a few months after Cappo shared an expansive and intense work called 'Canon'. It was released in three parts, covering three concepts: pain, escapism and absolution. He described it in

The Howl & The Hum: Same Mistake Twice [Album]

I last saw The Howl & The Hum (in the previous incarnation) in January 2022, when I also had the honour of chatting in person with Sam Griffiths . He told me then that a second album was coming and explained that there were only "vague ideas" being worked on at that point. Sam explained he wasn't sure if the album would be a 'Human Contact 2', something about Covid, or a record which would "encapsulate the future that's been stolen from us in a sense." Since then, a lot has changed. That band is no more, but TH&TH has continued nevertheless. And the promised album is now with us. 'Same Mistake Twice' has turned out to be a complicated, varied exploration of Sam's (and our) anxieties, particularly around image and what others think of him. In that sense — the way Sam is disarmingly open — TH&TH is continuing in a typical vein. But where 'Human Contact' felt at times jittery and even a little dark (though incredibly bea